Emma and Jane have a lot in common; they even look alike. Each has been through a traumatic experience and needs to move into a new London apartment, but neither has much money. They both see a gorgeous, glamorous (but minimalist) flat on Folgate Street that is, miraculously, within budget—assuming that the renter meets the owner/architect's strict requirements: no alterations, no rugs or carpets, no pictures, no potted plants, no throw pillows, and about 200 other stipulations. The flat should be experienced as is and, in fact, is meant to transform the occupant rather than the other way around. But there's something very compelling about the apartment. When Jane moves in, she learns that Emma was the previous resident—and that she died there. Told in chapters that alternate between Emma's and Jane's stories, the book ratchets up the tension page by page as Jane can't resist looking into Emma's life and death. By the end, readers will have no idea whom to believe or how far any of the characters will go to get what they want.
VERDICT Teens who gobbled up Paula Hawkins's The Girl on the Train and Gillian Flynn's Gone Girl will be clamoring for this page-turning psychological thriller, which is already being made into a movie by Ron Howard.
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