FICTION

Freakboy

448p. further reading. websites. Farrar. Oct. 2013. Tr $18.99. ISBN 978-0-374-32472-8.
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Gr 9 Up—Brandon, a high school wrestler, must face the fact that despite his best efforts he isn't as hyper-masculine as he feels he needs to be. Acceptance of his gender fluidity will prove to be his greatest challenge. Brandon's stepfather, a symphony conductor, appears to need regular validation of his manliness, and his mother undergoes breast enhancement surgery to appear, presumably, more womanly. Vanessa, Brandon's girlfriend, is also a wrestler; she feels she can only have a true win on the mat once her opponent lets go of the thought that she's a girl. When he's not aggressive enough in the ring, Brandon's coach calls him Brenda. Eventually, he meets Angel, an attractive young woman whose birth certificate reads "male." Angel-empowered, self-loving, and equipped to help others-can support Brandon to be at home in his body and in his craving for feminine expression. This book is a strong addition to LBGT and general collections as a compelling story for reluctant readers and an educational piece on a topic that needs discussion. The use of typography for emphasis is occasionally awkward and self-conscious, but overall this novel-in-verse presents a clear, realistic narrative in various voices. It succeeds in conveying the message that "you are not alone" to transgender youth while helping everyone else get a handle on these often-tortured teens. The author succeeds in her mission to foster "greater understanding and acceptance of gender's vast and lovely variation." —Teresa Pfeifer, The Springfield Renaissance School, Springfield, MA
Brendan, an upper-middle-class high-school wrestler, is confused and ashamed. He loves his girlfriend, Vanessa, but is afraid of how he relates to women—he likes girls “too much, / and not in / the same / way / everyone / else / does.” He is disgusted by his own body, which, with its short hair and lack of hips, feels wrong. Angel, on the other hand, loves herself unapologetically. Now college-aged, Angel was thrown out of her home, mocked and abused by her father, and beaten by a sadistic john. A chance meeting brings Brendan and Angel together and, with Vanessa, their stories wind together in three-part verse-harmony. Each individual has a unique personality all his or her own. Angel, a transgender woman, is resilient and compassionate. While she acts as the moral compass of the book, she is not the gender-ambiguous “angel” her name implies—her character is never preachy or hyperbolic. Clark portrays the delicate inner life of Vanessa with aching clarity. And the depiction of Brendan’s emotional state—his confusion, fear, disgust, and feeling of “wrongness”—is vivid and painful. A sincere, profound rendering of sexuality, queerness, and identity. siân gaetano

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