K-Gr 3—This moving picture book recounts, through the author's eyes as a child, the year of her father's military tour of duty in Viet Nam. The youngest of four kids growing up in a safe, loving family, Suzy is first seen listening to her dad read Ogden Nash's poem about Custard, the dragon who stays brave despite his inner fears. Thus the stage is set for her father's imminent deployment. In this pre-Internet world, his postcards provide tenuous but tangible connections as the first grader tries to comprehend what a jungle is, what her father is doing there, and the passage of time ("Has it been a year yet?"). But Suzy's concerns increase when Dad confuses her birthday with a sister's, and then the postcards cease. When one abruptly surfaces, Dad signs it, "Pray for me." (She does, "very hard.") Television news and a near-drowning incident during a swimming lesson feed the child's anxieties. Suddenly, Dad is home, "tired and thin… his skin… the color of pancake syrup." Suzy struggles to articulate her harbored fears, which he gently allays, and the two resume reading about Custard, whose stoicism surely resonates more deeply for them. Vibrantly colored cartoon illustrations, outlined in thick black ink, underscore a child's point of view. The characters' enormous eyes and boldly colored pupils provide an arresting motif. Suzy's increasingly haunted imaginings, depicted on spreads of painterly gray tones with bursts of color, stand in stark visual contrast to the narrative text and illustrations framed by generous white space. The author's spot-on memories paired with child-friendly art create a universal exploration of war and its effect on young children, ideally shared with and facilitated by a sensitive adult.—
Kathleen Finn, St. Francis Xavier School, Winooski, VTCollins tells a story based on her own childhood, the year her father was deployed in Vietnam and she began first grade. The narrator's limited point of view is what allows a complex story to work as a picture book for young children: "My dad has to go to something called a war...He will be gone a year. How long is a year? I don't know what anybody's talking about." Suzy does know that her dad is in the jungle, so she fills in that gap with happy images from her favorite cartoon. As the year goes on, her sheltered understanding is eroded by grown-ups who act worried when she tells them where her father is, by some confusing messages on the postcards her dad sends, by a sudden absence of those postcards, and finally by frightening images she sees on TV ("Explosions. Helicopters. Guns. Soldiers lie on the ground. Some of them aren't moving"). Throughout the book, scenes of Suzy's everyday life (getting a new lunchbox, tracing her hand to make Thanksgiving turkeys, playing with her cat) alternate with wordless spreads from Suzy's imagination, as her benign picture of the Vietnam jungle begins to morph into something much more dark, dangerous, and realistic. At the end of the book, Suzy's dad has returned home "different"--tired, thin, and prone to staring into space--and Suzy has changed, too, able to talk with her dad about that year and to live with the changes it has wrought. An understated, extremely effective home-front story. martha v. parravano
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