FICTION

When Stravinsky Met Nijinsky: Two Artists, Their Ballet, and One Extraordinary Riot

illus. by author. 32p. bibliog. photos. Houghton Harcourt. 2013. RTE $16.99. ISBN 978-0-547-90725-3. LC 2012025330.
COPY ISBN
RedReviewStarK-Gr 3—Composed with much alliterative, musical language, and onomatopoeia, this narrative flows beautifully, telling the story of the friendship and collaboration between composer Igor Stravinsky and dancer Vaslav Nijinsky. Focusing on the changes to their work and personal styles that resulted from their meeting to the culmination of their efforts, the ballet The Rite of Spring, the story conveys their composition process in a lively, upbeat fashion, with a percussive vocabulary. This book would be the perfect accompaniment in music lessons exploring the 100th anniversary of the famous work, and may inspire young musicians to create their own and definitely different work. Children may be surprised to learn about the commotion the composition caused, and the riotous ballet is sure to catch their attention. Vibrantly colored illustrations, inspired by Matisse and Picasso, of the musical notes, instruments, and dancers depicted, enhance the tone of the story and complement the text well. A detailed note from the author, complete with photographs, provides interesting background information about Stravinsky, Nijinsky, and The Rite of Spring.—Alison Donnelly, Collinsville Memorial Public Library, IL
For a Horn Book issue with the theme "Different Drummers," a book about the riotous 1913 premiere of The Rite of Spring fits right in. Although Stringer overplays the degree of collaboration (Diaghilev, unmentioned here, chose Nijinsky to choreograph the piece well after Stravinsky had begun composing it), there is no doubt that the two men created something beautifully, brutally new, its "primitive" rhythms and movement almost as shocking and divisive today as they were to the first audience at the Theâtre des Champs-elysees. Stringer's text has brio (perhaps a tad too much: "[Stravinsky's] trumpet tah-tahed a twirling ballerina"), and her acrylic illustrations dance right along in a sweep of movement and color that owes as much to Matisse as to its own lively spirit. Notes about the ballet, Stringer's visual inspirations, and a list of sources are appended. roger sutton

Be the first reader to comment.

Comment Policy:
  • Be respectful, and do not attack the author, people mentioned in the article, or other commenters. Take on the idea, not the messenger.
  • Don't use obscene, profane, or vulgar language.
  • Stay on point. Comments that stray from the topic at hand may be deleted.
  • Comments may be republished in print, online, or other forms of media.
  • If you see something objectionable, please let us know. Once a comment has been flagged, a staff member will investigate.


RELATED 

ALREADY A SUBSCRIBER?

We are currently offering this content for free. Sign up now to activate your personal profile, where you can save articles for future viewing

ALREADY A SUBSCRIBER?