Gr 2–4—Violet Mackerel has to have her tonsils out and her doctor gives her lozenges to soothe her throat until the surgery. This leads the irrepressible heroine to "The Theory of Giving Small Things," in which she postulates, "If someone has a problem and you give them something small like a feather, or a pebble, or a purple lozenge, that small thing might have a strange and special way of helping them." Violet hopes that after the operation she will have the voice of an opera singer. Meanwhile, while in the waiting room before the procedure, she makes friends with a woman who is having an operation on her arm, and Violet is able to put her theory into practice when she gives Iris a lozenge before her surgery. Violet really does have a remarkable recovery as she recuperates while enjoying a variety of ice-cream flavors. This early chapter book, featuring pencil illustrations, will be a hit with fans of Amber Brown and Clementine.—Sarah Polace, Cuyahoga Public Library System, OH
Violet (Violet Mackerel's Brilliant Plot, rev. 9/12) has had sore throats before, but this time is different -- it feels like a cactus is in her throat, and Dr. Singh's purple lozenges can't make it better. Violet is worried about getting her tonsils removed, even with promises of ice cream. But when the doctor casually mentions the fact that some people's voices change after their tonsillectomies, Violet's fear turns to curiosity, and she convinces herself that she will now become an opera singer. Young readers will identify with her nerves and laugh at her description of feeling rhinoceroses in her belly rather than butterflies. We also find out where Violet got her name and learn that she is very good at inventing lyrics for "My Favorite Things" and making new friends. Violet's kind, patient mother shines in the story, as Branford once again creates a warm world for Violet, one in which the protagonist's optimism spreads to others without any hint of the saccharine. Many new readers will identify with the story, enjoy the accessible vocabulary, and appreciate the expressive illustrations (final art not seen) that grace almost every spread. robin l. smith
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