FICTION

The Space Between

978-1-59514-339-6.
COPY ISBN
Gr 9 Up—Daphne's home life is Hell. Literally. The daughter of Lilith and Lucifer, the sensitive teen feels out of place. When her adored older brother, Obie, abandons Hell to be with a girl he met on Earth, Daphne does what she has never done before. In order to find him and warn him of imminent danger, she leaves Hell, too. Once on Earth, Daphne seeks help from Truman, a self-destructive teenage boy whose incessant nightmares spur him to dangerous excesses in order to stay awake. As they work together to find Obie, besting a demon or two along the way, Daphne learns to appreciate and cultivate her humanity, the very thing that alienates her from her family. This bildungsroman features a sympathetic, believable protagonist who learns, changes, and grows. Daphne shrinks from the future planned for her, that of being like her ravenous older sisters, the Lilim, who live off the pain of weak men. Yovanoff's writing distinguishes itself with its inlay of eloquent and imaginative passages about life in Pandemonium (the sleek, metallic capital city of Hell), Daphne's sometimes-comic acclimations to life on Earth, Truman's tragic story arc, and the tender romance that develops between them.—Jennifer Prince, Buncombe County Public Library, NC
Daphne, daughter of a demon and a fallen angel, leaves Hell to search for her favorite sibling, who’s missing on Earth. She ascertains that a self-destructive mess of a boy, Truman, is the likeliest candidate to help. Alternating perspective shows how dissimilar their worlds are, and romantics will find their eventual, hard-earned love even more compelling for the many distances between them.
It certainly isn't easy being the daughter of a demon and a fallen angel, but Daphne didn't quite realize how protected she was inside Pandemonium, a city in Hell, until her favorite sibling, Obie, disappears on Earth, likely having fallen victim to the vengeful demon hunter Azrael. Daphne quickly ascertains that a self-destructive mess of a boy, Truman, is the likeliest candidate to help her find her brother: Truman was one of Obie's last human-angel misfit cases, but she needs to sober him up and keep him alive long enough to actually assist her. The alternating narration from the first-person voice of Daphne, who is clear in her mission even while she is scrambling to understand Earth, to the close third-person used with Truman is highly effective in showing how dissimilar their perspectives and worlds truly are, and romantics will find their eventual, hard-earned love even more compelling for the many distances between them. The harsh steel beauty of Pandemonium, particularly when juxtaposed with the gritty sludge that is most of what Daphne sees of Earth (though she revels in the "aliveness" of it all) will inevitably evoke questions of which is more hellish, and the climax further blurs the lines. april spisak

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