FICTION

The Mermaid and the Shoe

illus. by K.G. Campbell. 32p. Kids Can. Apr. 2014. Tr $16.95. ISBN 9781554537716.
COPY ISBN
Gr 1–4—Created with watercolor and pencil crayon, this tale is unique in its style. One of Neptune's 50 daughters, Minnow doesn't think she is remarkable. In fact, she thinks she's truly useless, with no talent of her own. Her only companion is a little orange sea horse. Minnow is a curious mermaid, always asking questions that no one seems to understand. One day she finds a dainty little red shoe. It is only when she sets out on an adventure to learn about the purpose of shoes that she truly realizes that she is an explorer. The mermaid finds answers to her questions and rushes home to tell everyone of all that she has learned. While there is no sea witch to be found in this work that is reminiscent of Hans Christian Andersen's The Little Mermaid, Minnow's narcissistic sister Calypso is quite mean. Campbell's illustrations employ ample blues and grays to portray deep waters of the sea. The mermaids are all identical, with fair skin, white hair, and thin bodies. It is only when Minnow catches a glimpse of the human world that the pages become vibrant with hues of red, yellow, and orange. This book is suitable for independent reading as well as a read-aloud. Minnow's tale will remind readers that it is okay to ask questions and seek answers, to stand out and be unique.—H. Islam, Brooklyn Public Library
When a shoe drops into the sea, little mermaid Minnow (least exceptional of King Neptune's fifty daughters) investigates. What she discovers is "an odd creature...a landmaid." Minnow tells her family, and the kingdom's newfound storyteller-adventurer is born. Campbell's tale shows that a little imagination and a lot of inquisitiveness go a long way. The watercolor and pencil-crayon illustrations have a sense of motion and playfulness.
Little mermaid Minnow is one of King Neptune's fifty daughters. Each princess is exceptionally talented, except for Minnow, whose only skill -- and a dubious one at that, according to her brattiest sister, Calypso -- is asking questions. When a kicky red pump drops into the sea, Minnow is naturally curious. She makes her way to the ocean's surface to investigate what the thing could be. What she discovers on land is "an odd creature...half mermaid, but with two octopus legs... a landmaid" (i.e., little girl) who takes off her shoes (aha! That's what they are) to reveal "another set of...hands. 'But so ugly,' [Minnow] gasped. 'So knobby and gnarled. And smelly!'" Minnow swims home, excited to tell her family about her discovery. Though Calypso is unimpressed, everyone else -- King Neptune included -- is riveted by what the kingdom's newfound storyteller-adventurer has to say. Campbell's tale is nicely contained; though Minnow never actually leaves the ocean, we can see that a little imagination and a lot of inquisitiveness allow her to journey beyond her natural realm (and without having to give up either her fins or her voice; take that, Ariel!). The watercolor and pencil-crayon illustrations, though very different in style from Campbell's black-and-white pictures for DiCamillo's Flora & Ulysses (rev. 9/13), have a similar sense of motion and playfulness. And the visual differences between the flow-y haired, teeny-weeny-seashell-bikini-clad mermaids and the Raggedy Ann-esque landmaid point to the subjectivity of storytelling (and also of beauty). elissa gershowitz

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