Gr 9 Up—Asha and Rachel are left to grapple with their "good" sister Sarah's mysterious death along the California coastline. Neglected by their overly lenient, flower-child mother, Asha struggles with the loss of her beloved sister and her own confusion over her relationship with her best friend, Sinclair. Rachel distracts herself with boys to avoid the guilt over sleeping with Sarah's boyfriend before she died, and details are slowly revealed that hint at a secret reason for Rachel's destructive behavior. Typical birth order tropes are fleshed out into believable characters that, along with an unraveling mystery, compel readers to turn the pages. Chapters alternate between the sisters' perspectives, and while Asha and Rachel have similar "bad" sister voices (cursing, eye-rolling, wry inner thoughts), their plots are different enough to avoid confusion between narrators. Sarah's chapters are shorter, but powerfully haunting, as she, having awoken in the afterlife, watches her sisters' tumultuous relationship grow more strained after her death. Fans of emotional powerhouses such as Alice Sebold's
The Lovely Bones (Little, Brown, 2002) and Jay Asher's
Thirteen Reasons Why (Penguin, 2007) will enjoy the novel's insight into the complexities of sisterhood, adolescence, and the "good" and "bad" behavior therein.—
Hannah Farmer, Austin Public Library, TXAfter battling childhood cancer, Sarah dies in a mysterious hiking accident, leaving her sisters to repair their splintered family. In alternating chapters, Rachel and Asha struggle to find their own ways past tragedy. Sarah narrates from somewhere between life and death, offering tender hopes for her troubled sisters and clues about how and why she died. Kain paints grief in unflinching detail.
After years of battling childhood cancer, Sarah Kinsey dies in a mysterious hiking accident, leaving her younger sisters to attempt to repair their splintered family. Fifteen-year-old "baby sister" Asha, who was closest to Sarah, flounders at school while trying to hold on to a complicated relationship with her gender-nonconforming best friend Sinclair. Middle sister Rachel distances herself from her family with boys, rebellion, and a thick layer of brutal cynicism ("Is being forced to live in the same family for eighteen years the same thing as love?") while hiding what she knows about her sister's death. In alternating chapters, Rachel and Asha struggle to reconcile their difficult childhoods, harness their vices, and find their own ways past tragedy. Sarah narrates from somewhere between life and death, her chapters filled with evocative, poetic reflections, tender hopes for her troubled sisters, and tantalizing clues about how and why she died. Kain paints grief in unflinching, almost-too-painful detail, with Rachel and Asha often coming close to finding much-needed solace in each other only to veer suddenly toward self-destruction. Fans of Sebold's The Lovely Bones or Forman's If I Stay (rev. 7/09) will be gripped by this stark and compelling family drama. jessica tackett macdonald
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