FICTION

The Girl Who Soared Over Fairyland and Cut the Moon in Two

Bk. 3. illus. by Ana Juan. 256p. (Fairyland Series). Feiwel & Friends. 2013. Tr $16.99. ISBN 9781250023506.
COPY ISBN
Gr 5–9—At 14, September is worried that she is too old to go back to Fairyland to see her only true friends, and, when she finally hitches an illegal ride with the Blue Wind, she finds herself labeled a criminal. She journeys to the Moon in her old car, which seems to have come alive on its trip into Fairyland, and finds her old friends, Ell the Wyverary and the Marid boy Saturday, and they set off to stop the horrible Yeti, Ciderskin, from destroying the Moon and the myriad peoples who inhabit its large surface. Along the way, they meet creatures and landscapes that provide them with stories and advice. Bothered by the phrase, "what others call you, you become," September is even more unsure of who she is meant to be. When the friends finally encounter the Yeti, she is ready to challenge his awful deeds. Instead, he presents himself in a sympathetic light. Soon she feels the pull of the real world drawing her back. In desperation, she begs to stay and the cruel Blue Wind honors her decision, with dire consequences. Valente has once again done a masterful job of creating the richly realized world of Fairyland as well as aptly continuing September's confused and stumbling journey to adulthood. This series, for it must be read as a series, is a worthy addition to any collection. Both children and adults will find the adventure and narration both thrilling and nostalgic in their own ways as September learns to "call yourself what you wish to become."—Clare A. Dombrowski, Amesbury Public Library, MA
In this third volume, following The Girl Who Fell Beneath Fairyland and Led the Revels There, September returns to Fairyland and finds herself on a mission to stop a vengeful yeti from destroying his Fairy abusers--and everyone else on the moon. September is now wiser and sadder, and longs for autonomy; likewise, Fairyland and its inhabitants have become darker and more adult.
After months of more-or-less patient waiting, September (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, rev. 5/11; The Girl Who Fell Beneath Fairyland and Led the Revels There, rev. 11/12) finally returns to Fairyland by striking a deal: the Blue Wind will carry her there if September will deliver a package to the Whelk of the Moon. September agrees, thinking that she’ll complete the errand quickly, then find her friends A-through-L and Saturday. Of course, nothing in Fairyland is straightforward, and soon September is on a mission, determined to stop a vengeful yeti from destroying his Fairy abusers—and everyone else on the moon. Now a wiser, somewhat sadder girl, September longs for autonomy and choice even as she fears that these “grown-up” attributes will bar her from Fairyland forever. Likewise, Fairyland itself and its inhabitants are darker, more adult: while September (a “professional revolutionary”) has fought childish tyrants before, this is the first time she’s encountered such systemic, casual oppression. But Valente’s Fairyland is terrible and beautiful—with a circus made out of stationery, a city populated with photographic negatives, and glimpses of Septembers and Saturdays past and future just a few of the strange wonders introduced in this volume. Spot illustrations unseen. katie bircher

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