Gr 9 Up—Knowles's latest novel realistically depicts the intertwined lives of 12 individuals. From high school student to recently graduated new adult to teacher, these personal vignettes are achingly truthful and reveal the secrets and sorrows hidden behind everyday facades. As the stories unfold and the points of view begin to overlap, a complete picture begins to form. The message of the novel is divulged on the last page, bringing the book into tight focus and finally giving teens an "aha" moment. The short story format could tempt reluctant readers, and many young adults will see shadows of themselves in the well-drawn characters. Hand this one to fans of dramatic realistic fiction and those who enjoy slice-of-life novels.—
Heather Miller Cover, Homewood Public Library, AL
Nine teens and one teacher each tell a story about a seemingly
ordinary school day in November. Each story reveals more about the
characters--their secrets, troubled family lives, crushes, and
friendships--and how they relate to one another. (Often, it's
through someone giving someone else the finger, a gesture appearing
in each story.) These interconnected stories create a powerful,
complex whole.
This is a glimpse into the lives of nine teens and one teacher on a seemingly ordinary school day in November. Each takes a turn telling a story: among the narrators are Nate, whose middle finger is in a splint after he breaks it in gym class; Stephen, who witnesses his father having a heart attack in a restaurant; Grace, who’s struggling to convey an image of the perfect popular cheerleader; and Lacy, a “fat girl” who, in the book’s most shocking vignette, is sexually violated on a school bus. With each story, readers learn more about who the characters are -- their secrets, troubled family lives, crushes, and friendships -- and how they relate to one another. (Often, it’s through giving, or getting, the finger, a gesture that appears in each story with a variety of motivations and reactions.) Their voices are a reminder to look past simplistic stereotypes, appearances, and projections; in the best moments, as narrator Keith tells us, “she sees the real me, and I am seeing the real her…And by seeing each other that way, we’re seeing our true selves, too.” While some perspectives are missing -- we never hear from Lacy’s two-dimensional-seeming attacker, for example -- these interconnected stories create a powerful, complex whole. rachel l. smith
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