Gr 10 Up—According to the foreword, Charleyboy's intent for this anthology is to provide a "space to not only write a love letter to all young Indigenous women trying to find their way, but also to help dispel those stereotypes so we can collectively move forward to a brighter future for all." Charleyboy and Leatherdale have selected art, poetry, and prose created by Indigenous teenage girls and women that touch on a plethora of topics, from Standing Rock to ReMatriate, a collective of Indigenous women dedicated to showing the multiplicity of Indigenous identity through social media. Each entry is titled and accompanied by the author's name and their tribal ancestry or affiliation. In addition to the text, art pieces such as Lianne Marie Leda Charlie's Tagé Cho (Big River) and Pamela J. Peters's Real NDNZ Re-Take Hollywood, which recasts iconic movie stars as Indigenous actors/actresses, deepen the conversation and provide alternative ways of looking at identity, history, and inherited trauma. Some entries are in dialogue with readers, while others offer deeply personal insights—and all emphasize the damage that ignoring or changing the rich histories of Indigenous people does, especially in regards to women. This portrait of girlhood is a necessary addition in line with #ownvoices and We Need Diverse Books movements. And with a hashtag as a title, it should garner much-needed attention on social media, in libraries, and on bookshelves.
VERDICT A stunning anthology of creative writing and art—a love letter, indeed. All YA collections will want this.
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