K-Gr 3—Finally, a children's picture book about the artist Joseph Cornell. And for someone whose work was so connected to childhood, memory, and dreams, it's about time. For much of the 20th century, Cornell made shadow boxes intricately filled with a flotsam of ephemera and found objects. While his work was exhibited at the premiere galleries in New York City, Cornell went out of his way to connect with a younger audience, sometimes even giving shadow boxes to neighborhood children, who would return the "toys" in exchange for others when they were done playing with them. Winter's playful and collagelike illustrations re-create many of his well-known works in a style that complements Cornell's own aesthetic. Succinct text details his life in Queens, NY, and the recurring themes of his art. While concepts and theories about art and artists can often be difficult to present to young children, this picture-book biography is particularly accessible and can serve as an ideal gateway to more advanced books on the subject. Teachers and librarians can use this work to explore a unique contribution at the forefront of modern art; children will be inspired to dream and create on their own.—
Billy Parrott, New York Public LibraryJoseph Cornell was a unique twentieth-century artist best known for his work in assemblage. Winter emphasizes the whimsy of Cornell's tiny enclosed worlds while quietly working in biographical details. Digital illustrations resembling cut paper jibe with the subject matter, as images are combined and assembled (often within neat boxes) on clean pages to enlarge ideas in the spare prose. Bib.
Prolific picture-book biographer Winter here focuses on Joseph Cornell, a unique twentieth-century artist best known for his work in assemblage: "Mr. Cornell didn't draw. Mr. Cornell didn't paint. / Mr. Cornell made shadow boxes with things he found when he roamed the city -- WONDERLANDS covered in glass." The book brings the reader to Utopia Parkway in Queens, New York, "not so long ago." Through descriptive direct-address text ("you might have walked past this house"), it paints a picture of an imaginative man with childlike sensibilities, a man who filled journals with thoughts and wooden boxes with fantasies; a dreamer to whom "remembering was important." Cornell's art is approachable for a young audience, and Winter's simple text runs with that, emphasizing the whimsy of her subject's tiny enclosed worlds while quietly working in biographical details such as the fact that Cornell cared for his brother Robert, who had cerebral palsy. Digital illustrations resembling cut paper jibe with the subject matter, as images are combined and assembled (often within neat boxes) on clean pages to enlarge ideas in the spare prose. A brief author's note, with three archival photographs, tells more about Cornell's life and about Winter's inspiration for the book. katrina hedeen
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