PreS-K—Though he lives in a far-removed prehistoric world, Cave Boy suffers from that classic dilemma: the desire for a pet despite parental resistance. The youngster has all of the basics—rocks, sticks, and a club—yet his life is not complete. "'Me sad,' said Cave Boy. 'Want pet.'" He searches the wilderness and brings home various primeval candidates. In response to the woolly mammoth, Mama says, "'He too big. Where he sleep?'" In response to the saber-toothed tiger, Papa says, "'Make me sneeze! No can stay.'" Even the dodo bird is rejected. "'No can keep! He no potty-trained,'" says Gran. But when Cave Boy's furry friends fend off a stampede of wild beasts, the child finally gets his wish. While the plot may be formulaic and the prehistoric human-animal relations as romanticized as a Tarzan film, Sauer has crafted a humorous read-aloud that's both age-appropriate and entertaining. Youngsters will likely be inspired by Sauer's play on primitive speech to repeat the silly sentences or to blurt out their own statements. Likewise, Cave Boy's unusual pets may inspire a sudden interest in saber-toothed tigers and woolly mammoths. Shea's electric illustrations, painted in thick, bold strokes with limited but well-chosen washes of color, seem to channel a primal mode of expression that intuitively suits this tale of cave life. Beginning with the cover image of a smiling, razor-toothed boy scribbling his own dream-pet illustrations, Sauer and Shea's collaboration will entice readers.—
Jayne Damron, Farmington Community Library, MISearching for a pet, Cave Boy brings home a woolly mammoth (too big), then a saber-toothed tiger (Papa has allergies), then a dodo bird (not housebroken). But the animals all help stave off a stampede, changing the minds of Mama, Papa, and Gran Cave. Shea's stylized illustrations, with their thick lines, abstracted human figures, and flat perspectives, resemble Chris Raschka's.
In his search for the perfect pet, Cave Boy first brings home a woolly mammoth (too big), then a saber-toothed tiger (Papa has allergies), and lastly a dodo bird (not housebroken). The three pets are rejected by members of the Cave family until the animals all help Cave Boy stave off a pending stampede. It's not clear exactly how this happens because it takes place between page turns, but whatever occurred, it's enough to win the hearts and change the minds of Mama, Papa, and Gran Cave. Shea's stylized illustrations raise the book far above the ordinary; with their thick lines, abstracted human figures, and flat perspectives, they resemble the work of Chris Raschka. The textured backgrounds of the paper frequently suggest cave walls and rough exteriors, and the clean design and grit primer font both contribute to the overall aesthetic. The end pages cleverly show patterned drawings of the three pets, which Cave Boy might have painted on the walls of his home. kathleen t. horning
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