Gr 8 Up—Beginning with a dream sequence that depicts the police crackdown on the 1965 Selma-Montgomery March, this memoir then cuts to Congressman John Lewis's preparations on the day of President Obama's inauguration. Lewis provides perspective on the occasion, explaining and describing his own religious and desegregationalist origins in Alabama, his early meeting with Dr. King, and his training as a nonviolent protester. The bulk of the narrative centers around the lunch counter sit-ins in 1959 and 1960 and ends on the hopeful note of a public statement by Nashville Mayor West. The narration feels very much like a fascinating firsthand anecdote and, despite a plethora of personal details and unfamiliar names, it never drags. Even with the contemporary perspective, the events never feel like a foregone conclusion, making the stakes significant and the work important. The narration particularly emphasizes the nonviolent aspect of the movement and the labor involved in maintaining that ideal. The artwork is full of lush blacks and liquid brushstrokes and features both small period details and vast, sweeping vistas that evoke both the reality of the setting and the importance of the events. This is superb visual storytelling that establishes a convincing, definitive record of a key eyewitness to significant social change, and that leaves readers demanding the second volume.—
Benjamin Russell, Belmont High School, NHCongressman John Lewis--the last surviving member of the "Big Six" civil rights leaders--recounts his formative years in this first volume of a planned trilogy. The book opens on "Bloody Sunday," as troopers assail activists (including Lewis) marching across the Edmund Pettus Bridge. From this violently chaotic event the narrative fast-forwards to the early morning of Barack Obama's January 2009 inauguration, where Lewis shares his memories with young visitors to his congressional office. Lewis's path to nonviolence was shaped by two key events: the Montgomery Bus Boycott and a 1955 radio broadcast of Martin Luther King Jr. preaching "the Social Gospel." While attending seminary in Nashville, Tennessee, John joined up with other young people fighting segregation with nonviolence to form the Nashville Student Movement. (A nifty example of art imitating life: the group was informed by a popular comic book of the time--Martin Luther King and the Montgomery Story.) There's something extraordinary about reading a firsthand account of a seminal moment in history from one who not only lived through it but also led it, and this is what ultimately makes this book so essential. The volume is well-designed and the story expertly paced--the flashbacks and flash-forwards are especially effective at keeping things moving. Powell re-creates the time period vividly through his black-and-white art, but the artist's true gift is in his ability to capture emotion with deft use of line and shadow. His nuanced visual storytelling complements Lewis's account beautifully. sam bloom
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