Gr 9 Up—Sawyer LaGrande's unexplained disappearance rocked Serena Montero's world. It was love at first sight, and then he ran away and left her pregnant. Now he's back in town and ready to pick up where they left off. Serena, however, has a steady boyfriend and is now the mother of a two-year-old. She had to repair her broken heart and make peace with her very Catholic father, who does not approve of her out-of-wedlock child. She is older and wiser, but Sawyer was the love of her life. Will she make the same mistake twice? The language and content of this novel will appeal to teens, but the structure is an issue. Every other chapter is a flashback, making the plot seem choppy and disjointed. The portrayal of a Catholic Hispanic family in modern-day Florida is refreshing, but the shuffling between the present and the past may make it hard for readers to lose themselves in the characters. The story's mood is rather depressing; Serena deals with the death of her mother, the death of her best friend, Sawyer's abandonment, her child, her family's disapproval, and her father's heart attack. Yet, despite her struggles, she is still able to find her silver lining at the end of the story.
How to Love may not appeal to a wide audience, but patrons who read and enjoyed Jamie McGuire's
Beautiful Disaster (S & S, 2012) will find Sawyer and Serena's frustrating relationship familiar.—
Jeni Tahaney, Duncanville High School Library, TXA standout debut romance with intelligence, charm, and poignancy. Perfect for fans of Sarah Dessen and Stephanie Perkins. Tightly wound Reena and laidback Sawyer have convincing chemistry and a compelling history together. The tension between them is evident (as is Reena’s dry humor) from the opening chapter, in which Reena runs into Sawyer: “We stand there. We breathe. I can hear the hum and clatter of the market all around us, everything chilly and refrigerator-bright. There’s a huge, garish poster of pretzel dogs over his left shoulder. I have pictured this going differently.” The novel alternates between “Before” and “After” sections, telling both Reena and Sawyer’s tumultuous backstory and what happens when Sawyer returns and tries to get Reena back—and persuade her he can help take care of their child. Katie Cotugno skillfully weaves the two plots together, creating moments of emotional resonance and surprising revelations, including Reena’s discovery of what really happened the day Sawyer left. Cotugno’s ear for dialogue is finely tuned, capturing contemporary-sounding phrasing and character nuances. For example, Reena’s caring but candid best friend, Shelby, explains to Reena: “I’m mad at you because Sawyer got back here and you like, forgot that you’re kickass . . . I just feel like you’re forgetting yourself over a dude.” To which Reena, quick to anger, responds: “What am I forgetting, exactly? That I live at home with my father who can’t even look at me most days because he legit thinks I’m the whore of Babylon?” Reena and Sawyer have a rocky past and present, but their story concludes on an uplifting, gratifying note. Readers will eagerly await the author’s next novel.
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