Gr 6 Up—This beautifully illustrated collection of free-verse poems introduces readers to the Harlem Hellfighters, a group of black American soldiers who fought in World War I, impressing the French with their courage and tenacity while also inspiring Europeans with their music, "a mix of primitive jazz, blues, and upbeat ragtime." Despite the picture book format, the sophisticated writing style will be best understood by older readers. In addition, background knowledge is necessary to fully comprehend the poetry. For example, the poem "Somewhere" reads, "Somewhere/in the mid-Atlantic/fog of history, two/dark ships passed/in the night…." The illustration shows a slave ship crossing paths with the soldiers' vessel, but the slave trade itself is not mentioned anywhere in the text. The poems are of varying quality: some read more like expository text with some figurative language thrown in, while others feature strong imagery that will help readers visualize the sights and sounds of war. Kelly's atmospheric, pastel illustrations in muted tones are a perfect match for the time period, documenting the violence of war in Europe and the horror of lynchings at home. Those who look closely may notice that the illustrator has referenced some other works of art that are detailed in the artist's note. Refer students who would like to know more about these brave soldiers to Walter Dean Myers's
The Harlem Hellfighters: When Pride Met Courage (HarperCollins, 2006). Though this title isn't a comprehensive look at the subject, it imparts the mood and feeling of the war well and serves as a good jumping-off point.—
Jackie Partch, Multnomah County Library, Portland, ORThe story of an all-black regiment is a revealing lens through which to view the Great War. Lewis brings a stark poetic sensibility to his topic; he references the irony of black men being shipped across the Atlantic, while in Kelley's atmospheric illustrations enslaved men in shackles appear out of the mist. A needed antidote to sentimental WWI books of this centennial year. Bib.
The story of the 15th New York National Guard, or the "Harlem Hellfighters," an all-black regiment that joined the Great War in its final year, is a revealing lens through which to view that conflict. Lewis brings a stark poetic sensibility to his topic. His free verse captures the world the men left, a training camp in the South, a place of "deputy sheriffs certain that black was not any color of the rainbow." In fourteen words he references the irony of black men being shipped across the Atlantic -- "Somewhere in the mid-Atlantic fog of history, two dark ships passed in the night…" -- while in Kelley's atmospheric illustrations enslaved men in neck shackles appear out of the mist. In "The Tally," Lewis lets the statistics speak for themselves, contrasting the bravery of the soldiers honored by the French ("Citations: the Croix de Guerre to 171 Hellfighters; the Medal of Honor to 1 officer [white]"), with their meager recognition at home. Through the whole tragic enterprise there is music, with ragtime as a recruitment tool, a jazz version of the "Marseillaise," musician James Europe composing songs on a beat-up piano in an abandoned French farmhouse, and happy horns on Armistice Day. An introduction gives just enough background, and especially welcome artist's notes point out how Kelley echoes images of Monet, Delacroix, and Renoir in his illustrations. A bibliography is also included. This offering by the author-illustrator team behind the Boston Globe-Horn Book Honor Book And the Soldiers Sang is a needed antidote to some of the more sentimental WWI books of this centennial year. sarah ellis
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