FICTION

Gaijin: American Prisoner of War

illus. by Matt Faulkner. 144p. Disney-Hyperion. 2014. Tr $19.99. ISBN 9781423137351; ebk. $11.99. ISBN 9781484712139. LC 2013029795.
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Gr 5–8—In 1941, biracial Koji and his mother hear about the attacks on Pearl Harbor from their home in San Francisco. As tensions escalate, Mrs. Miyamoto volunteers to accompany her son to the Japanese relocation camp, where Koji has to navigate the hostile environment and the social pressures of the other teenage boys. Throughout all this, his father is absent, and Koji worries if he is the traitor the U.S. government suspects him to be. The artwork is lovely, with gestural lines and colors that are warm and redolent of age and memory, and which bridge caricature and realism. However, the dialogue and word balloons lack a similar finesse, as they are garishly large and convey little subtlety of emotion. They make the protagonist seem loud and immature, and generally pitch the book younger than his age. This is problematic, as he is old enough to worry about his mother, and harbors suspicions that she is having affairs for favorable treatment in the camp—issues somewhat beyond the scope of a children's book. Emotions at the times ran high, and the issues depicted are complex; this book doesn't quite capture that complexity.—Benjamin Russell, Belmont High School, NH
On Koji's thirteenth birthday, Japan attacks Pearl Harbor. Despite being only half-Japanese, Koji is forced to report to the Alameda Downs Assembly Center where his (white) mother voluntarily accompanies him. Through astute choices of medium (pen and watercolor), color (earth tones with red and blue accents), and composition (shifting perspectives and panel layouts), Faulkner creates a vivid and compelling internment-camp graphic novel. Reading list, websites.
Koji Miyamoto is living in San Francisco with his white mother; his father has had to return to Japan temporarily to deal with a family illness. On Koji's thirteenth birthday, Japan attacks Pearl Harbor, and his life changes. Despite being only half-Japanese, Koji is accused of being a "Jap spy" by classmates and harassed by streetcar operators and police; then forced to relocate to the Alameda Downs Assembly Center across the bay, where his mother voluntarily accompanies him. Amidst all these injustices, Koji wrestles not only with his father's absence from the family but also with a gang of boys in the camp who constantly bully him -- for being a gaijin, or "foreigner." Through astute choices of medium (pen and watercolor), color (earth tones with red and blue accents), and composition (shifting perspectives and panel layouts), Faulkner creates a vivid and compelling internment-camp drama for young readers (who may also enjoy Kevin Pyle's fairly recent Take What You Can Carry, rev. 7/12). Back matter, which includes an author's note and bibliography, reveals that this story was inspired by Faulkner's family history. jonathan hunt

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