Gr 5–8—In this encore to
Better Nate Than Ever (S & S, 2013), small-town theater geek Nate Foster finds himself in New York City after landing an understudy part in
E.T.: The Musical. Everything he's ever studied, including practicing his own autograph, has prepared him for this. From hiding from bullies in the boys' bathroom in the first book, Nate has moved on to more grown-up problems-his voice decides to change during his solo tryout and he's dealing with secret admirers. He backs up all of his emotions and each action with a musical soliloquy, quoting from plays, scripts, and Tony-winning shows. But everything is not all glitz and mirrored disco balls, as he soon learns. Conversations with Libby, his best friend back home, keep him grounded. Everyone could use a little more glitter in their lives, and Nate shares his with those who are willing to celebrate that being an understudy can one day earn you top billing.—
Cheryl Ashton, Amherst Public Library, OHNate successfully auditioned for Broadway's E.T.: The Musical in Better Nate Than Ever. Of course, he's actually only an understudy's understudy, his chorus part keeps diminishing, and rehearsals are going poorly, but good-humored Nate takes it all in stride. Federle addresses his likable character's burgeoning interest in boys in a laudably straightforward way, making this entertaining backstage pass especially rewarding.
A funny, lively adventure, in which inimitable Nate learns to be his best, brightest, most confident self—and accepting of whoever that self turns out to be—whether he’s supporting fellow cast members or given an opportunity to shine all by himself. Nate is a kind and uniquely likable narrator. He’s also sharp, self-deprecating, and hilariously dramatic: “‘I’m not crying,’ I say, crying. ‘I’m reacting.’” The setting—informed by Tim Federle’s experiences as a Broadway actor—provides an insider’s look behind the scenes. Readers will discover a fascinating, complicated universe, from the frenetic pace of rehearsals and constant rewrites to the meticulous work that goes into costuming and creating E.T.’s iconic look. Secondary characters are complex and three-dimensional, including the dismissive but insecure director, Dewey; and Nate’s rival, the seemingly perfect Jordan. Federle takes a lighthearted and age-appropriate approach to real teenage issues—including questions about sexual identity and romance. Just as in a real Broadway show, Nate’s hard work and contagious excitement lead to a heart-pounding, satisfying finale.
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