Gr 2–5—Hopper was one of the foremost American painters of the 20th century, and this wonderfully illustrated book provides a detailed biographical portrait of him. Minor's art, lush and perfectly varied with pencil sketches interspersed between colorful paintings, is accompanied by Burleigh's compelling text, which traces the artist's childhood in Nyack, NY, to his studies in Manhattan and Paris to his married life in New York City and Cape Cod, MA. Minor has reenvisioned many of Hopper's well-known works, placing Hopper in the picture, depicting the artisit as he surveys the scenes that inspired his paintings. Though Minor's interpretations are brighter, he hints at the dark and foreboding qualities for which Hopper was famous; Hopper's compositions are sad and lonely, leaving viewers to ponder the mysterious narrative. One might assume that Hopper's work was a mirror of his personal life. As the title states, he painted world as he saw it, yet in actuality his world and personal life was rather typical. Burleigh and Minor touch on this in the afterword, but they don't specifically address the contradiction between the darkness of his work and his seemingly normal personal life, which leaves a ripe subject for discussion among teachers and librarians and their creative readers. Additional back matter includes quotes about art from Hopper, miniature reproductions of four of Hopper's most famous works with discussion prompts, important dates, and a note on the illustrations from Minor.—
Billy Parrott, New York Public LibraryIn a narrative as calmly straightforward as Hopper's work, Burleigh introduces the great American realist. Burleigh's prose captures the essence of Hopper's renderings: lighthouses that "rise up, gleaming in the sunlight, looming above land and sea"; the many "small mysteries" of city life. So, too, do Minor's gouache paintings, all of which echo Hopper's sense of wonderment about the potential of everyday scenes. Websites. Bib.
In a narrative as calmly straightforward as Hopper's work, Burleigh introduces the great American realist (1882-1967), who from boyhood dreamed of being an artist but wondered: "Will I ever be able to paint things the way they appear to me?" With occasional quotes smoothly worked in, the text takes readers through Hopper's early years studying in New York and Paris, working as an illustrator, and pushing on with his own art as "America was changing" in the early twentieth century. Then, after Hopper's marriage at forty-two, the story tracks his travels with his wife along New England's seashore, through the countryside, and back to his beloved New York City, where "he was looking for what other artists didn't paint...what only he saw." Burleigh's prose captures the essence of Hopper's renderings: lighthouses that "rise up, gleaming in the sunlight, looming above land and sea"; the "quiet emptiness" of a gas station; the many "small mysteries" of city life. So, too, do Minor's gouache paintings, all of which echo Hopper's sense of wonderment over the potential of everyday scenes (four of Minor's illustrations are his "interpretations" of Hopper paintings--Early Sunday Morning, Lighthouse Hill, Gas, and Nighthawks). An afterword describes Hopper as a "hero" who believed in his own vision and an "explorer" who discovered a unique brand of realism amidst modern artists venturing away from it. Other back matter includes Hopper quotes and thumbnails of his work, an extensive list of resources, and an artist's note. katrina hedeen
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