Gr 6–9—Calliope LeRoux begins hearing voices the day her mother vanishes into the swirling dust of the worst storm in Kansas history. From Baya, a mysterious stranger she rescues from the deadly tempest, Callie discovers that she must travel to California to find her parents. She also learns that her father, whom she's never met, is a fairy who aggravated a feud between warring tribes by running off with her mortal mother. Moreover, there exists a prophecy about a half-blood girl with powers to manipulate doors between worlds, and it seems that Callie fits the bill. As she is pursued by dangerous otherworldly creatures and accompanied by Jack, a hobo boy with his own agenda, her quest becomes increasingly deadly. Much weighs on her success. The story of warring fairy factions is not new, nor is that of the fae girl who is instrumental in their fate. Yet, Zettel puts a fresh, imaginative spin on the old tale. Period details about the Depression-era dust bowl supply an authentic, atmospheric feel, as does the first-person narrative. Nonstop action will keep readers hooked. Some loose threads remain, but these will hopefully be knitted together in sequels.—Alissa J. LeMerise, Oxford Public Library, MI
The Dust Bowl, the Great Depression, and Celtic fairy-lore come together when Callie learns that her long-absent father was not just a charming African American jazz musician but a prince of fairyland. When her Mama is whisked away in a whirl of dust and magic, Callie sets off to retrieve her. An intelligent, imaginative concoction with a vivid setting and an engaging protagonist.
"We’re not in Fairyland! We’re in Kansas!" exclaims Calliope, but as it happens, she’s wrong and right. In this story, Kansas is Fairyland. The Dust Bowl, the Great Depression, and Celtic fairy-lore come together when Callie, daughter of the owner of a small hotel in Slow Run, Kansas, discovers that when she really gives herself over to making music, the fairies come after her. Then her Mama is whisked away in a whirl of dust and magic, and Callie sets off to retrieve her. But as Callie and Jack, fellow traveller and companion, traverse the prairie fleeing supernaturally voracious locusts, a brutal "vigilante man," and starvation itself, Callie learns she’s of royal fairy stock (her long-absent father being not just a charming African American jazz musician but a prince of fairyland). Zettel cleverly uses the folk songs and jazz of the period in this atmospheric 1930s Americanization of Celtic folklore. Racial issues are treated rather obviously (Callie is half black; Jack’s Jewish), and the story’s plot turns are at times both too familiar and too fabulous -- but even so this is an intelligent, imaginative concoction with a vivid setting and an engaging protagonist. deirdre f. baker
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