K-Gr 3—At six o'clock in the morning in Dakar, Senegal, Keita helps his father count the fish caught during night. So begins a tale of events happening at the same moment all around the world. From the Greenwich meridian eastward, full circle back to Senegal, Perrin takes readers on a voyage of events in 24 time zones where children are conducting their everyday activities. Mitko, in Bulgaria, chases after the school bus; Chen, in Shanghai, practices for the Lunar New Year parade at 2:00; and Pablo, in Mexico City, is having magical dreams at midnight. Each hour presents a unique cultural experience of normalcy in the lives of children and their families. Stunning, digitally enhanced ink illustrations depict the variety of landscapes, architecture, clothing, and customs of a diverse world, yet all portray what is recognizably the same in all children's lives. A large, pull-out world map reveals each time zone and the children shown in the story. A lovely addition to a study of time zones or an exploration of cultural diversity—
Carol Connor, Cincinnati Public Schools, OHIn this French import, Perrin circles the globe to glimpse simultaneous events in twenty-four time zones. From construction in Dubai to cooking in Samoa, a Shanghai festival to a Russian snowstorm, the brief text and handsome art celebrate Earth's rich variety. Using soft pencil lines for texture as well as definition and adding glowing saturated colors digitally, Perrin creates a lush, inviting world.
The title says it all: Perrin circles the globe to glimpse events in twenty-four time zones. At six a.m. in Senegal, Keita counts his fisherman father's catch, while "at the same moment" Benedict breakfasts in Paris at seven; a school bus is stopping in Bulgaria at eight; and so on. From construction in Dubai to cooking in Samoa, a Shanghai festival to a Russian snowstorm, a good-night kiss in San Francisco to a birth in Peru, the brief text and handsome art celebrate Earth's rich variety. The six-by-thirteen-inch book opens to near-square spreads divided vertically for two tall scenes, integrated in color and composition if not setting. Using soft pencil lines for texture as well as definition and adding glowing saturated colors digitally, Perrin creates a lush, inviting world peopled with more dark faces than light ones and burgeoning with creatures blessed with alert, Chagall-style eyes. Cover art sets the theme with figures circling a globe, day to night and snow to tropics; a foldout places the characters on a world map; a note discusses time zones and their history, a subject to which this French import would make a fine introduction. joanna rudge long
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