K-Gr 4—Underlying this tale of a feisty friendship between two lizards is a thought-provoking exploration of the creative process. Readers first encounter Arthur rendering a formal portrait of a stately reptile, one of several reacting to the unfolding drama in the desert. Frenetic Max dashes into the scene; he also wants to paint, but lacks ideas. Self-assured Art suggests, "Well…you could paint me." Max's literal response yields a more colorful Art, but the master's outrage causes his acrylic armor to shatter. His texture falls in fragments, leaving an undercoating of dusty pastels vulnerable to passing breezes. Each of Max's attempts to solve Art's problems leads to unexpected outcomes, until his mentor is reduced to an inked outline, one that ultimately unravels. Wiesner deftly uses panels and full spreads to take Max from his "aha" moment through the humorous and uncertain moments of reconstructing Art. Differentiated fonts clarify who's speaking the snippets of dialogue. Wielding a vacuum cleaner that soaks up the ruined scales, Max sprays a colorful stream, à la Jackson Pollock, that lands, surprisingly, in a Pointillist manner on the amazed lizard. The conclusion reveals that his fresh look inspires the senior artist with new vision, too. Funny, clever, full of revelations to those who look carefully—this title represents picture-book making at its best. Wiesner's inventive story will generate conversations about media, style, and, of course, "What Is Art?" It will resonate with children who live in a world in which actions are deemed mistakes or marvels, depending on who's judging.—Wendy Lukehart, Washington DC Public Library
Art, a big horned lizard, is intent on finishing his painting when Max, another lizard, barges in. Hoping to divert his irrepressible friend, Art--shortsightedly--provides Max with canvas and paint. Wiesner's visual meditation on the effects of illustrative style is detailed with his signature craft and wit, including an expressive chorus of tiny lizards that point up the fun.
Arthur and Max are both lizards with an artistic bent; Art is an experienced artist and Max is a novice. Kids will identify with Max’s enthusiasm as well as with his less-than-stellar first try. The characters’ interactions, conveyed through David Wiesner’s expressive illustrations and minimal dialogue, lead to a series of mishaps and surprising discoveries, offering opportunities for readers to think about and discuss the possibilities of art. Nods to Warner Brothers cartoons, Krazy Kat, Salvador Dalí, Jackson Pollack, and Georges Seurat, among others, appear in the artwork, adding layers of meaning to this striking book.
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