PreS-Gr 2—With "The Great Sorcar" poster as his inspiration, young Anton dons a magician's turban and sets off to prove that he can make things disappear. Because his too-large turban keeps slipping down over his eyes, a few things do indeed go missing. His friend Luke is skeptical, but when a girl's missing bird suddenly reappears, supposedly due to Anton's clever abracadabra moves, Luke reconsiders his opinion and Anton walks away with his dream fulfilled and his reputation established. Images of the boy, a tree, and a bird appear on ample white space, keeping the focus strictly on Anton and his perceptions of what is happening. This story is told with a spare, easy-to-read text; it's the illustrations that tell the true story and add much humor.—Maggie Chase, Boise State University, ID
Antons magic hat really can make things disappear, at least to Anton. The oversized orange turban falls over his eyes, leading him to believe hes turned his friend into a bird. Superb interplay between the short declarative sentences and the cartoon-style illustrations allows the true story to take place in the spaces between the words and pictures.
Anton's magic hat really can make things disappear, at least to Anton. The oversized orange turban falls over his eyes every time he puts it on. Readers will see what Anton cannot, that first a bird and then his friend Luke have disappeared by leaving the scene on their own. The bird returns as Anton works his magic on Luke, leading him to believe that he has accidentally turned his friend into a bird. He covers the bird with his turban just as Nina and Greta enter the scene with an empty bird cage, looking for Greta's lost bird, and Luke comes with them. Anton is able to make the bird reappear as if by magic, but this time, like readers, he understands the illusion. It's only a matter of time before he'll be pulling rabbits out of that turban. The static horizon, simple black lines, and big round heads on the characters make Anton and his friends look like they might live around the block from Charlie Brown. There is a superb interplay between the short declarative sentences and the cartoon-style illustrations that allows the true story to take place in the spaces between the words and the pictures, and in the connections readers need to make in their own heads. kathleen t. horning
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