Understanding—and Teaching—the Five Kinds of Nonfiction

In the last 25 years, informational books for young readers have undergone exciting and dramatic changes, evolving into five distinct categories. Nonfiction author Melissa Stewart lays out the distinctions, offers book recommendations, and suggests an activity for young readers.

Even though some children’s nonfiction books cross categories, these five general groupings
can help students make sense of the wide world of nonfiction and all it has to offer.

It’s a great time for nonfiction. In the last 25 years, informational books for young readers have undergone exciting and dramatic changes, evolving into five distinct categories. Understanding the characteristics of these categories can help students predict the type of information they’re likely to find in a book and how that information will be presented. It can also help them identify the kinds of nonfiction books they enjoy reading most.

Traditional Nonfiction

Not long ago, there was just one kind of nonfiction for children—survey (aka "all-about") books that provide a general overview of a topic. These traditional nonfiction titles, often published in large series, emphasize balance and breadth of coverage and feature language that is clear, concise, and straightforward. They have an expository writing style that explains, describes, or informs and typically employ a description text structure. For example: About Fish: A Guide for Children by Cathryn Sill and John Sill (Peachtree, 2017) Transportation! by Gail Gibbons (Holiday House, 2017) Water by Seymour Simon (HarperCollins, 2017)

Browsable Nonfiction

Thanks to Dorling Kindersley’s (DK) innovative "Eyewitness Books," the early 1990s brought remarkable changes to expository nonfiction. These beautifully designed, lavishly illustrated books with short text blocks and extended captions revolutionized children’s nonfiction by giving fact-loving kids a fresh, engaging way to access information. Readers can easily dip in and out, focusing on the content that interests them most, or they can read the books cover to cover. Today, many companies publish fact-tastic books in this category. For example: 1,000 Facts About the White House by Sarah Wassner Flynn (National Geographic Kids, 2017) Eyewitness Books: Soccer by Dorling Kindersley (DK, 2018) Guinness Book of World Records 2018 by Guinness World Records (Guinness World Records, 2017)

Narrative Nonfiction

In the mid-1990s, children’s authors began crafting narrative nonfiction—prose that tells a true story or conveys an experience. This style of writing appeals to fiction lovers because it includes real characters and settings; narrative scenes; and, ideally, a narrative arc with rising tension, a climax, and denouement. The scenes, which give readers an intimate look at the world and people being described, are linked by transitional text that provides necessary background while condensing parts of the true story that aren’t relevant to the author’s purpose. Although narrative nonfiction may have an in medias res opening, it generally features a chronological sequence text structure and is ideally suited for biographies and books that recount historical events. Dazzle Ships: World War I and the Art of Confusion by Chris Barton and illustrated by Victo Ngai (Millbrook, 2017) The World Is Not a Rectangle: A Portrait of Architect Zaha Hadid by Jeanette Winter (S. & S./Beach Lane, 2017) Vincent and Theo: The Van Gogh Brothers by Deborah Heiligman (Holt, 2017)

Expository Literature

When Congress passed the No Child Left Behind Act of 2001, school funding priorities suddenly shifted. School library budgets were slashed, and many school librarians lost their jobs. Around the same time, a proliferation of websites made straightforward, kid-friendly information widely available without cost, which meant traditional survey books were no longer mandatory purchases for libraries. As nonfiction book sales to schools and libraries slumped, authors began searching for ways to add value to their work, so they could compete with the internet. The result has been a new breed of finely crafted expository literature that delights as well as informs. Unlike traditional nonfiction, expository literature presents narrowly focused topics, such as STEM concepts and processes, in creative ways that reflect the author’s passion for the subject. These books typically feature an innovative format and carefully chosen text structure, a strong voice, and rich, engaging language. A Hundred Billion Trillion Stars by Seth Fishman and illustrated by Isabel Greenberg (HarperCollins/Greenwillow, 2017) Look at Me! How to Attract Attention in the Animal World by Steve Jenkins and Robin Page (HMH, 2018) A Beetle Is Shy by Dianna Aston Hutts and illustrated by Sylvia Long (Chronicle, 2016)

Active Nonfiction

Inspired by the maker movement, publishers have recently begun creating what booksellers call “active nonfiction”—browsable books that are highly interactive and/or teach skills readers can use to engage in an activity. Written with an expository writing style, these how-to guides, cookbooks, field guides, craft books, and more are becoming increasingly popular with young readers. Minecraft: Guide to Exploration by Mojang Ab and the Official Minecraft Team (Del Rey, 2017) Stitch Camp: 18 Crafty Projects for Kids & Tweens by Nicole Blum and Catherine Newman (Storey, 2017) Try This Extreme: 50 Fun & Safe Experiments for the Mad Scientist in You by Karen Romano Young (National Geographic, 2017)

A New Way of Thinking

Take a moment to evaluate your classroom or library book collection. Do you have enough nonfiction titles? Experts recommend a 50-50 mix of fiction and nonfiction. How diverse is your nonfiction section? Does it include a healthy selection of books from all five categories—narrative, expository literature, traditional, browsable, and active? Now think about your instruction. Do you have a natural tendency to focus your reading and writing lessons around fiction? When you select informational books for read-alouds, book talks, or mentor texts in writing workshop, do you usually choose narrative nonfiction? If you find yourself favoring fiction and narrative nonfiction, you aren’t alone. Most people who choose to be children’s librarians and literacy educators value and connect strongly with stories and storytelling. And it’s natural for them to assume that young readers feel the same way. But this is a bias we must recognize and address. Research clearly shows that many students (up to 75 percent, in some studies*) enjoy expository writing as much as or more than narratives. And some children have a strong preference for expository nonfiction. Because these fact-loving kids are more interested in data, statistics, ideas, and information than in making an emotional connection with the central figure in a book, they will only thrive as readers if they are given access to a rich, diverse selection of expository nonfiction. Let’s celebrate all the different kinds of nonfiction and the kids who love it.

ACTIVITY

Introducing the Five Kinds of Nonfiction to Students Grades 3–8 Organize students into small groups and invite each team to gather a variety of nonfiction books on a single topic from the school library. After the children have sorted the books into at least three categories that make sense to them, compare the criteria each group used. Next, share books on the same topic that fit into each of the five categories. After reading aloud sections of each book, ask students to compare how the books present information.
  • Is the focus broad or narrow?
  • What kind of text features does each book include?
  • What kind of text structure, writing style, and craft moves does the author employ?
  • Does the writing have a distinct voice?
  • What similarities and differences do students notice across the categories?
Finally, send students back to the stacks to gather a selection of nonfiction books on a new topic. Invite each team to sort the books into the five types—narrative, expository literature, traditional, browsable, and active. Did they find examples of all five kinds of books? If not, can they explain why? *Studies include:
  • Caswell, Linda J. and Nell K. Duke. “Non-Narrative as a Catalyst for Literacy Development.” Language Arts, 1998, p. 108-117.
  • Hynes, Myrna. “‘I Read for Facts’: Reading Nonfiction in a Fictional World.” Language Arts, 2000, p. 485-495.
  • Mohr, Kathleen A. J. “Children’s Choices for Recreational Reading: A Three-Part Investigation of Selection Preferences, Rationales, and Processes.” Journal of Literacy Research, 2006, p. 81-104.
  • Repanskey, Lisa L., Jeanne Schumm, and Jacqueline Johnson. “First and Fourth Grade Boys’ and Girls’ Preferences for and Perceptions about Narrative and Expository Text.” Reading Psychology, 2017, p. 1-40.
Melissa Stewart is the award-winning author of more than 180 nonfiction books for children, including Can an Aardvark Bark?, illustrated by Caldecott Honoree Steve Jenkins; No Monkeys, No Chocolate, illustrated by Nicole Wong; and Feathers: Not Just for Flying, illustrated by Sarah S. Brannen. She is the co-author, with Nancy Chesley, of Perfect Pairs: Using Fiction & Nonfiction Picture Books to Teach Life Science, K-2 and Perfect Pairs: Using Fiction & Nonfiction Picture Books to Teach Life Science, Grades 3-5. She maintains the blog Celebrate Science and serves on the board of advisors for the Society of Children's Writers and Illustrators. Melissa’s highly-regarded website features a rich array of educational resources for teaching nonfiction reading and writing. This piece has been adapted from a blog post originally published at Celebrate Science on December 13, 2017.
Comments

Barbara Birenbaum

Now I know the most recent books I have authored for Grades 2-5 are Expository Nonfiction. Now maybe these two award winning groundhog books (Groundhog Willie's Shadow and Groundhogs Across America- Peartree, Clearwater, FL (http://www.p;eartree-books.com) can emerge from their burrows and find a home with readers. Simple, clear explanation(s) that the books publishing industry also needs to know. Thanks! Barbara Birenbaum, Authorand Composer

Posted : Apr 13, 2018 03:14


Debra Schneider

My staff and I studied this and the JLG webinar Melissa did on the same subject. Everyone agrees we learned a lot and are thinking about our nonfiction and collection development in new ways.

Posted : Apr 12, 2018 05:18

Melissa Stewart

That's music to my ears, Debra.

Posted : Apr 12, 2018 05:18


Maria Gianferrari

This is the perfect way to think about nonfiction: its origins, and how it's evolving. Thank you for championing nonfiction, Melissa!

Posted : Apr 12, 2018 01:05

Melissa Stewart

Thank YOU, Maria, for your support.

Posted : Apr 12, 2018 01:05


Rhyl Bignell

Excellent explanation will share this at school. Where do books that have a narrative story then a factual paragraph fit in? Australian author Claire Saxby's Koala is an example of this.

Posted : Apr 07, 2018 04:53

Melissa Stewart

I'm not familiar with Claire Saxby’s Koala, but it may be what I call a blended title--books that cross categories in innovative ways. I'll be writing about this on my own blog on April 27.

Posted : Apr 07, 2018 04:53


Padma Venkatraman

Lucid and informative article just like so many of your blog posts. If you're a reader with an interest in nonfiction, I recommend you follow Melissa's blog.

Posted : Apr 07, 2018 01:19

Melissa Stewart

Thank you, Padma.

Posted : Apr 07, 2018 01:19


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