FICTION

Explorer: The Hidden Door

, ed. illus. by Kazu Kibuishi et al. 128p. (Explorer: Bk. 3). Abrams/Amulet. 2014. Tr $19.95. ISBN 9781419708824; pap. $10.95. ISBN 9781419708848. LC 2014938941.
COPY ISBN
Gr 4–8—Readers are once again presented with an array of stories created by a cast of comics authors and illustrators smartly assembled by Kibuishi. With a balance of styles, sensibilities, and palettes, the work showcases seven unique approaches to the central theme of finding a hidden door. Most of the entries hinge on a kid facing an emotional or physical peril. In "Asteria Crane," Kibuishi delivers a cinematic tale of experimental dream therapy that could easily be at home as a sci-fi film. In "Luis 2.0," Jen Wang shares a sweet vignette about wanting to become someone else, only to find it's better being one's authentic self after all. The range in this slim volume is expansive. From funny to deep and fantastical to refined, all of the stories have a compelling narrative arc. The colors are just as varied, and are universally dynamic and nuanced. Consider this (and previous series installments) as a necessary addition to any graphic novel collection.—Jenna Lanterman, formerly at The Calhoun School and Mary McDowell Friends School, New York City
A collection of seven diverse, engaging stories by some of today’s most popular graphic artists—Kazu Kibuishi, Jason Caffoe, Jen Wang, Faith Erin Hicks, Steve Hamaker, Johane Matte, Jen Breach, and Douglas Holgate. The concept of hidden doors allows for many thematic opportunities, including doors that keep secrets behind them, doors that remain locked until certain conditions are met, doors that open into new realms, and doors that effect a transfiguration. Lush, colorful artwork features each illustrator’s unique style. Fun and inventive details abound, such as the robot body given to a goldfish in Hamaker’s “FishNChips in Spring Cleaning.” The tales’ settings vary from the quotidian to the extreme and are always convincingly established by the illustrations. From the ice mountain in Kibuishi’s “Aster Crane” and the desert tomb in Matte’s “Mastaba,” to the elementary school in Wang’s “Luis 2.0,” readers will feel as though they are accompanying the characters on their adventures.
This third book in the series (Explorer: The Mystery Boxes; Explorer: The Lost Islands) follows the same successful formula: a handful of graphic artists start with the same topic, each coming up with a unique story. The wide variety of genres and illustration styles keeps the theme fresh and intriguing; here's hoping Kibuishi continues to explore further mysterious topics.

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